Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

He already has 101 fraudulent methods but now he plans to break into the building of a high-ranking civil servant...

Format has a mini drama throughout. At various times the studio panel give their advise. The final choice which determines the end section is a public phone vote. Shows were prerecorded with 2 alternative ends. The vote and correct end were added live for each TX.

Sonny Rogers has just gotten elected class president, he's a star baseball player, and has a cute girlfriend. But, thanks to the conniving of his rival, Harry Vanderpool, he and his whole family are going to have to move to Seattle! Sonny needs the help of his pals and his pesky little sister, Mary Lou, to get out of this one.

A family returns to America after spending seven years in a remote jungle of New Guinea doing public health work, only to find that the bill of rights has been suspended and that the country is now a fascist totalitarian state.

Two childhood friends now in their thirties must decide whether to follow their heads or their hearts once the man decides to follow his parents' advice and enter into an arranged marriage in Pakistan.

A young forty-year-old surgeon Oleg Volkov has been appointed to the post of chief physician of the maternity hospital, who is trying to change the abortive consciousness of society at least at the level of his maternity hospital, where, in addition to childbirth, abortions are also performed - as elsewhere in Russia.

The most problematic aspect of Zsolt Kézdi-Kovács's films is the political motif of The Right to Hope, which is incomprehensible from a child's point of view and therefore disrupts the unified soul. The film works just as well without it, and it really works without the element of logical incoherence it introduces into the story. All of this highlights a directorial virtue that was rare in this period. Zsolt Kézdi-Kovács is able to dramatise personal conflicts that arise purely from within.

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager. But behind the scenes, the group’s sudden fame tests their strength, their maturity and responsibility, and their ability to resist the temptations that money and notoriety always make possible.

Royal Canadian Mountie Dudley Do-right is busy keeping the peace in his small mountain town when his old rival, Snidely Whiplash, comes up with a plot to buy all the property in town, then start a phony gold rush by seeding the river with gold nuggets.